A couple of weeks ago I went on a weekend-getaway with my friend Tiffany. When we moved into the ward, we found out we had a few things in common, including a love for art (Tiffany majored in Art Teaching at BYU.) So when she found out that the Terra Cotta Warriors Exhibit was at the Houston Natural Science Museum, she proposed that we leave our husbands and kids for a weekend and go down and see it! And since my grandparents live there, we had a place to stay.
I learned so much about the Terra Cotta warriors. It was so neat to see artifacts that was over 3000 years old (well before Christ's time.) I'm glad that I got to see it.
We then ventured to Houston's Museum district, which is home to the Rothko Chapel, The Byzantine Fresco Chapel, The Cy Twombly Gallery, the Menil Collection, and the Dan Flavin Installation. I'd been to these museums before, but it was about 12 years ago. I had learned about the Rothko Chapel in my Humanitites class at Highland High School, and was excited to see it in person. The two summers before when I was 18, I had been able to see his work in many other places, including our nation's capital, and Europe. He was soon becoming one of my favorite artists back then.
I remember seeing my first Rothkos in person. I stood in awe at the Phillips Collection in Washington, D.C., at the enormous colorfields, taking up the room. I was 18. At that time I had, what I would describe, a spiritual experience. I felt in awe, and humbled, and felt deep gratitude for the opportunity to see such beauty. I remember showing my Dad the Rothko colorfield for the first time. He took a minute, looked at it, and said, "I don't get it." I huffed at him, rolling my eyes, because to me, he was missing the point. I repeated the expression that Julie Hewlitt drilled into our heads that year in school: "Many people say about modern art, 'What's the big deal? I could do that.' The point is, you didn't. He did."
I have been priveleged in the years since to have been to many more museums, many more exhibits, and many different citites in the world. Coming back to the Rothko Chapel and the other galleries, I had a new-found appreciation for all the things I saw at that time in my life. It reminded me of our desire to create, to make something that no one had ever made before. To provide a space where people could revere and meditate, and even worship if they wished. To ponder on life and the grand scheme of things. To leave their mark in history.
That evening we attended the General Relief Society Broadcast. I felt uplifted and inspired, but in a different way. I was reminded how all of these things are connected, and how grateful I am that we are all children of God, that we are created in His image, and that we are blessed with the ability to create, to express ourselves, and to connect with other human beings.

The Terra Cotta Warriors Exhibit: They had 15 terra cotta warriors and 120 artifacts.

(Yes, this
is a replica.)



Next: The Rothko Chapel. Marc Rothko was commissioned by the Menil Family in 1964 to build a sacred place. Dominique de Menil said, "The Rothko Chapel is oriented toward the sacred and yet it imposes no traditional environment. It offers a place where a common orientation could be found--an orientation towards God, named or unnamed, an orientation towards the highest aspirations of Man and the most intimate calls of the conscience."



I think it's neat that the Rothko Chapel over the years has hosted speakers like Nelson Mandela, Desmond Tutu, Jimmy Carter, and the Dalai Lama, to name a few.
Next, the Byzantine Fresco Chapel Museum. These original frescos were from a chapel in Crete, and displayed in a really modern way. I liked the old mixing with the new.


The Cy Twombly gallery. His art is very modern, and very weird, but I found it fascinating. To me, it was like looking into the mind of a madman (although I don't know if he technically is, he's still living.)

The Menil Gallery, which, like all the other galleries, are totally free. I didn't realize how many gems were in here! Alexander Calder, Piet Mondrian, tons of Magrittes (along with other surrealist painters), and even some Marcel Duchamp. And more artifacts. By this point, I had kind of had it with artifacts.

The Dan Falvin Installation. Not too exciting, but kinda cool nonetheless.

My cute Grandma Kay Dunn who hosted us. She is the sweetest lady.

Me and Tiffany.